![]() As far as I can tell (and as far as the specs go), the X32 is even wider, right? It must be about double the size of a 19″ device and I’m wondering if that’s something you could reasonably put on (the side of) the stage. Now, we just switched to a 24-channel Soundcraft analog mixer for rehearsals, which is about 7″ wider than our usual 19″ consoles. I’ve been sticking with 19″ mixers from the beginning to be able to reach every part of the console quickly while performing. I know this is pretty unusual, but I’ve been doing it from the very beginning and it works out very well for me (also, fellow musicians confirmed that the result sounds great, so I guess that just works for us :)). Primarily, I’m doing the (live-)mixing of our band – while playing the keyboards. I really enjoyed taking the “virtual technical tour” on your church and having you explain everything in detail, it’s VERY appreciated! Personally, I’m looking into the X32 as a replacement for my old Behringer DDX3216. Hey Drew, I came across your blog and youtube channel this morning and here I am, 7 hours later, having watched the majority of your videos and read a good chunk of your blog articles. Also if any of you are in the Phoenix, Arizona area and would like a hands on tour of the X32, drop me an email and we can set up a time. Please let me know if you have any questions. #Behringer ddx3216 out and in setting upgradeWould I purchase it again? YES! In fact with the new X32 Producer is a rack mountable version! So, I would love to upgrade our mobile system to have this. Training has been aided with my YouTube videos which can be found at Any sound tech that has mixed on an analog console can be brought up to speed on the X32 in about 30 mins to an hour. Overall, I am extremely satisfied with the purchase of our two X32’s. ![]() Changing pages on the console from channels 1-16 and 17-32, all of the faders flip very quickly and accurately. Rotary knobs do not have a lot of slop and are a good size for fingers. The faders on the console are very solid feeling and the motion is very fluid. Both consoles have been consistant and flawless with no apparent problems at all, aside from the accidental routing issues from time to time which is a operator problem -). I purchased two consoles, one for each of our main rooms at North Ridge Community Church. Lastly it has a typical analog input to analog output dynamic range of 106dB. At a sample rate of 48 kHz, it has a frequency range of 10 Hz to 22 kHz at 0 dB to -1 dB over the spectrum. This is one of the lowest delays in the industry. Input to Output DelayĪs far as specs go, the delay of the console from the XLR input to the balanced outputs is 0.7ms. The built in compressor and gate give you a good handle of the dynamics of each channel, in combination with sub groups you can keep a very consistent level out sound in your venue or house of worship. I have had a lot of techs come to me and mention that EQ’ing a channel is much easier to understand with the graphical representation of it. The 800×480 TFT display gives you a graphical representation of the EQ, which for volunteers who haven’t spent the last 5 years perfecting their ears to discern frequencies, really enjoy. It takes very little adjustment of the gain to notice the adjustment you just made. I could for the first time hear the pronunciation of the words they were singing.Įqualizers on the console are beautiful sounding. I was able to notice the largest difference on the clarity of our choir during our traditional service. In comparison to our analog Allen & Heath ML4000, I much prefer the X32. The sound of the console is very clean and clear. The two most common questions that I get about this console are: Some Kramer Video switchers include audio switching internally, so this is another valid option. For some stereo systems, you may have to use an external sub console for combining your audio/visual needs into a single pair of Aux In’s of the board. Because our system is mono, I am able to sum the Left and Right outputs of our CD player and computer into mono to take up one channel each. ![]() These aux inputs are a line level input and have a gain adjustment of +/- 12 dB. These show up in the “AUX IN/USB/FX RETURNS” tab of the console. This is due to the 6 additional “aux inputs” on the back of the board. As you may know, at North Ridge, we switched from a 48 channel Allen & Heath ML4000 and that we have a mono pa system. The Behringer X32 is sold as a 32 channel digital board. So, today I am reporting on its use and quality over the last 1/2 year. I last updated about the use of the Behringer X32 digital sound board back in September. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |